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Channel Assembly workflow types - AWS Elemental MediaTailor
VOD-to-liveLive-to-liveVOD + Live-to-live (Mixed)Choosing the right workflowNext steps

Channel Assembly workflow types

AWS Elemental MediaTailor Channel Assembly supports three workflow types for creating linear streaming channels. Each workflow type uses a different combination of source content to meet specific use cases. This topic describes each workflow type, when to use it, and links to the detailed setup procedures.

Workflow type

Description

Playback mode

Use case

VOD-to-live

Assembles pre-recorded VOD assets into a live linear stream

Loop or Linear

24/7 channels from a content library

Live-to-live

Passes through live source feeds as programs in a scheduled channel

Linear only

News, sports, regional programming

VOD + Live-to-live (Mixed)

Combines VOD and live sources in a single channel schedule

Linear only

Channels with mostly VOD content that include scheduled live events

VOD-to-live

A VOD-to-live channel creates a linear stream entirely from pre-encoded, pre-packaged VOD content. The stream looks like a live broadcast with a live sliding manifest window, but uses only VOD assets. You don't need SCTE-35 markers in your source content because you define ad breaks when you schedule programs.

When to use

  • You have a library of VOD assets and want to create a 24/7 linear channel.

  • You want to monetize content with ad breaks but don't have SCTE-35 markers in your source content.

  • You want a simple, low-cost linear stream that doesn't require live encoding infrastructure.

How it works

  1. Prepare your content – Encode and package your VOD assets. Host them on an origin server (Amazon S3, AWS Elemental MediaPackage, or any HTTP origin).

  2. Create a source location – Register your origin server with MediaTailor.

  3. Add VOD sources – Register each piece of content and define its package configurations and source groups.

  4. Create a channel – Choose a playback mode (Loop or Linear) and configure outputs.

  5. Schedule programs – Add programs to your channel's schedule in the order you want them to play.

  6. Configure ad breaks – Add ad breaks to each program. Connect to an SSAI configuration for personalized ads.

  7. Start your channel and configure a CDN – Start the channel. Optionally, add a CDN in front of it for scale and cost savings.

Choosing a playback mode

VOD-to-live channels support two playback modes:

  • Loop (Basic tier) – Programs play back-to-back in an endless loop. When the last program finishes, playback returns to the first. This is the simplest option for a 24/7 channel. Loop mode does not support live sources or filler slate.

  • Linear (Standard tier) – Programs play once in sequence. Linear mode supports time-based scheduling and filler slate for gaps between programs.

Content requirements

For smooth transitions, all VOD assets in the same channel must have:

  • The same number of renditions (video, audio, subtitle, and so on) across all sources in a source group

  • Consistent segment durations across all assets. We recommend 2 to 6 seconds.

  • Matching bitrates and resolutions for corresponding renditions

Important

Channel Assembly does not support per-title encoding or automated ABR encoding. These methods produce assets with different rendition counts and durations, which causes playback failures at program transitions.

Ad breaks and monetization

You define ad breaks when you add programs to your schedule. Each ad break needs an offset in milliseconds from the start of the program. The offset must align with a segment boundary on all tracks in the VOD source.

Your VOD source manifest might contain ad markers. For HLS, these are EXT-X-DATERANGE or EXT-X-CUE-OUT tags with a duration. For DASH, use EventStream. When MediaTailor detects these markers, it shows their offsets as options when you set up the ad break. This provides the most precise ad placement.

To serve personalized ads, pair your channel with a MediaTailor SSAI playback configuration. Set the content source to your channel's playback URL.

Tips

Topic

Detail

Ad break placement

Ad break offsets that don't align with a segment boundary are adjusted to the nearest boundary. Use shorter segments (2–4 seconds) for more precise ad placement.

Signed URL origins

MediaTailor caches VOD source manifests when you first add the source. If you use signed URLs with short expiration times, the cached URLs might expire before playback. Call the UpdateVodSource API to force MediaTailor to re-fetch the manifest.

Rendition mismatch

If a program fails to transition cleanly, check that all VOD sources in the channel have the same rendition counts and use the same ABR ladder.

Scheduling ahead

Add programs to a running Linear channel at least 10 minutes before their air time. Channel Assembly begins processing programs within this window.

For instructions on creating your first channel, see Getting started with MediaTailor channel assembly.

Live-to-live

A live-to-live channel passes through live source feeds as programs in a scheduled channel. The channel switches between different live sources based on your schedule. Use this workflow when all of your content is live and you want to assemble multiple live feeds into a single linear channel.

When to use

  • You have multiple live encoders/packagers and want to switch between them on a schedule.

  • You're building a regional channel that switches between national and regional live feeds at different times of day.

  • You have 24/7 live feeds (news, sports networks) and want to create a curated channel that draws from multiple sources.

How it works

  1. Set up your live encoding pipeline – Encode and package your live content using AWS Elemental MediaLive, AWS Elemental MediaPackage, or any live packaging origin.

  2. Create a source location – Register the origin server for your live content with MediaTailor.

  3. Add live sources – Register each live feed and define its package configurations and source groups.

  4. Create a channel – Choose the Linear playback mode (required for live sources) and configure outputs.

  5. Schedule programs – Add live source programs to your channel's schedule. Specify the duration for each live program.

  6. Start your channel and configure a CDN – Start the channel. Optionally, add a CDN in front of it for scale and cost savings.

Playback mode

Live-to-live channels require the Linear (Standard tier) playback mode. Loop mode does not support live sources.

Content requirements

In addition to the general requirements listed in Working with source locations:

  • HLS live sources – You must provide #EXT-X-PROGRAM-DATE-TIME tags for the first segment in the manifest window and on every discontinuity.

  • HLS ad markers – You must configure ad markers as DATERANGE.

  • Source manifest window – Use a manifest window duration that's at least 30 seconds longer than the manifest window on your Channel Assembly channel.

  • Target duration – Make the target duration match the duration of the existing sources in the channel.

  • Child playlists – Make the number of child playlists match that of the other sources in the channel.

Live source configuration with MediaPackage

If you use AWS Elemental MediaPackage as your packaging origin, we recommend the following configuration:

HLS settings:

Setting

Value

Necessity

Notes

Endpoint type

 Apple HLS or CMAF

Required

 Use Apple HLS for TS segments, CMAF for MP4 segments
ProgramDateTimeIntervalSeconds 1

Required

Prevents playback issues at discontinuities.
PlaylistWindowSeconds

30 seconds longer than the CA manifest window

Required
AdMarkers DATERANGE

Required

Required when passing through ad markers.
IncludeIframeOnlyStream

Disabled

Recommended

DASH settings:

Setting

Value

Necessity

Notes
ManifestLayout FULL

Recommended
SegmentTemplateFormat NUMBER_WITH_TIMELINE or TIME_WITH_TIMELINE

Recommended

 NUMBER_WITH_DURATION is not supported.
ManifestWindowSeconds

30 seconds longer than the CA manifest window

Required
PeriodTriggers ADS

Required

Required when passing through ad markers.

Ad breaks

For live sources, you don't define ad breaks in the Channel Assembly schedule. Instead, ad breaks in the live source manifests are passed through automatically:

  • HLS – Ad breaks using the EXT-X-DATERANGE tag are passed through.

  • DASH – Ad breaks using EventStream are passed through.

To monetize passed-through ad breaks, pair your channel with a MediaTailor SSAI playback configuration.

Tips

Topic

Detail

Program duration

 You must specify a duration for each live source program. When the duration expires, Channel Assembly transitions to the next program in the schedule.

Filler slate

 If there are gaps between programs in the schedule, MediaTailor plays filler slate. If the duration of the slate is less than the duration of the gap, MediaTailor loops the slate. Configure filler slate when you create your channel.

Regional channels

 Use live sources to create regional channels. Run one encoder/packager for national content, then run regional encoders when those regions are live. Create a separate channel per region, each with its own schedule.

Transition timing

 MediaTailor starts playback of a program on a common segment boundary. For absolute transitions, expect up to one segment of variance between the scheduled time and the actual transition.

Encoding costs

Minimize costs by running encoders only when content is live. Configure filler slate on your channel to cover gaps between live events.

VOD + Live-to-live (Mixed)

A mixed channel combines both VOD and live sources in a single schedule. This is the most flexible workflow type. Use it when your channel is primarily VOD content with scheduled live events interspersed, or when you want to bridge gaps between live events with pre-recorded content.

When to use

  • Your channel is mostly VOD content, but you have scheduled live events (nightly news, weekly sports, special broadcasts).

  • You want to switch between VOD filler content and live feeds throughout the day.

  • You're building a channel that uses pre-recorded content between live event windows.

How it works

  1. Set up your content pipeline – Encode and package both your VOD assets and live content. Host them on origin servers.

  2. Create source locations – Register your origin servers with MediaTailor. You can use separate source locations for VOD and live content, or a single source location if they share an origin.

  3. Add VOD sources and live sources – Register your VOD assets and live feeds, each with their package configurations and source groups.

  4. Create a channel – Choose the Linear playback mode (required when using live sources) and configure outputs.

  5. Schedule programs – Add a mix of VOD and live source programs to your channel's schedule. Use absolute transitions for live programs that must start at specific times. Use relative transitions for VOD programs that fill gaps.

  6. Configure ad breaks – Add ad breaks to VOD programs. For live programs, ad breaks are passed through from the source manifest.

  7. Start your channel and configure a CDN – Start the channel. Optionally, add a CDN in front of it for scale and cost savings.

Playback mode

Mixed channels require the Linear (Standard tier) playback mode. Loop mode does not support live sources.

Content requirements

Mixed channels must meet the content requirements for both VOD and live sources:

  • All sources (VOD and live) within a source group must have the same number of renditions.

  • VOD and live sources must have matching target segment durations.

  • Live sources must meet the requirements for live sources, including EXT-X-PROGRAM-DATE-TIME tags for HLS.

Scheduling patterns

Mixed channels support two transition types for programs:

  • Relative – The program plays before or after another program in the schedule. Available for VOD source programs only.

  • Absolute – The program plays at a specific wall-clock time. Available for both VOD and live source programs in Linear mode.

Common scheduling patterns:

Pattern

Description

Example

VOD filler with scheduled live windows

 VOD programs fill the schedule, with live programs inserted at specific times.

A movie channel that switches to a live sports event at 8:00 PM.

Live primary with VOD interstitials

 A live feed runs most of the time, with VOD programs during breaks or off-hours. A news channel that plays pre-recorded segments between live broadcasts.

Time-of-day switching

Different sources (live or VOD) play at different times of day.

 National feed during prime time, regional live feed in the morning, VOD content overnight.

Ad breaks

Ad break behavior depends on the source type of each program:

  • VOD programs – You define ad breaks in the schedule with an offset in milliseconds. Connect to an SSAI configuration for personalized ads.

  • Live programs – Ad breaks are passed through from the live source manifest automatically. HLS uses EXT-X-DATERANGE tags; DASH uses EventStream.

Tips

Topic

Detail

Transition from VOD to live

 When transitioning from a VOD program to a live program at an absolute time, MediaTailor truncates the VOD program at the closest common segment boundary to the live program's start time.

Transition from live to VOD

 When a live program's duration expires, MediaTailor transitions to the next program in the schedule. If the next program is VOD, playback is seamless as long as content requirements are met.

Filler slate

 Configure filler slate on your channel. MediaTailor plays slate during any gaps between programs. If the live source becomes unavailable mid-program, Channel Assembly continues to serve the last known segments until the program duration expires.

Mixed ad monetization

 You can use a single SSAI configuration for the entire channel. MediaTailor handles both scheduled ad breaks (VOD programs) and passed-through ad breaks (live programs) in the same stream.

Schedule flexibility

 Add VOD programs at least 10 minutes ahead of air time. For live programs using absolute transitions, schedule them at least 15 minutes ahead on a running channel.

Choosing the right workflow

Use the following decision guide to choose the right workflow type for your use case:

  • If you have only VOD content and don't need time-based scheduling → Use VOD-to-live with Loop playback mode.

  • If you have only VOD content and need time-based scheduling → Use VOD-to-live with Linear playback mode.

  • If you have only live content → Use Live-to-live.

  • If you have both VOD and live content → Use VOD + Live-to-live (Mixed).

Feature comparison

Feature

VOD-to-live (Loop)

VOD-to-live (Linear)

Live-to-live

Mixed

VOD sources

Yes

Yes

No

Yes

Live sources

No

No

Yes

Yes

Absolute transitions

No

Yes

Yes

Yes

Relative transitions

Yes

Yes

No

Yes (VOD only)

Scheduled ad breaks

Yes

Yes

No

Yes (VOD only)

Pass-through ad breaks

No

No

Yes

Yes (Live only)

Filler slate

No

Yes

Yes

Yes

24/7 looping

Yes

No

No

No

Time-based scheduling

No

Yes

Yes

Yes

Channel tier

Basic

Standard

Standard

Standard

Next steps